Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique
Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique
Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique
Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique
Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique
Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique
Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique
Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique
Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique
Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique
Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique
Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique
Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique
Gibson L7C Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel by South Shore Guitar Boutique

Gibson L7CN Blonde w/ Stinger Circa 1956-1960 Restored by Laurent Brondel

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Original finish + tuners & bridge & tailpiece. Non original puckguard.

This vintage Gibson L-7C is a beautiful example of one of Gibson’s classic carved archtops, likely dating from the late 1950s or early 1960s. Finished in a rare Natural, or Blonde finish, the guitar beautifully showcases the grain of its carved spruce top and highly figured maple back and sides.

 

The L-7C was Gibson’s cutaway version of the L-7 and was built as a professional level acoustic archtop. With its full 17” body, carved spruce top, maple back and sides and long 25 1/2” scale, the L-7C has the projection, clarity and acoustic presence associated with Gibson’s great carved archtops of the period.

 

This particular example has been fully restored by Laurent Brondel in Maine. Laurent is an exceptional luthier and restoration specialist whose work is known for its attention to tone, structural integrity and playability. His restoration work on this L-7C is fantastic. The guitar is structurally sound with no known structural issues and is now playing beautifully.

 

In fact, this is one of the best playing L-7s we have had the opportunity to spend time with. It has a lively and immediate acoustic response with excellent note separation, projection and balance. Despite its full sized archtop body, it feels remarkably comfortable and inviting in the hands.

 

A new bone nut and was installed and a pro re-fret has been done (vintage medium jumbo) during the restoration. The original pickguard had previously been replaced, and the guitar now wears an exact reproduction of the correct original style pickguard. All other components appear to be original.

 

Electronics were installed at one point.. Strap button is not original.

 

The rare original Blonde finish is particularly striking on this example, allowing the natural character of the woods to take center stage. The beautifully figured maple back is especially impressive. Combined with the split parallelogram fingerboard inlays, bound body and neck and classic Gibson appointments, it has the understated elegance that makes these vintage L-7s so appealing.

 

Fully restored by Laurent Brondel, structurally sound and exceptionally playable, this is a fantastic vintage Gibson archtop that is ready for its next home.

 

Specifications

Model: Gibson L-7CN
Era: Likely late 1950s to early 1960s
Made in: Kalamazoo, Michigan, USA
Finish: Rare Natural / Blonde
Body Style: Full hollow carved archtop with cutaway
Lower Bout: 17”
Top: Carved solid spruce
Back and Sides: Figured maple
Scale Length: Approximately 25 1/2”
Nut Width: Approximately 1 11/16”
Fingerboard: Rosewood
Fingerboard Inlays: Pearl split parallelograms
Bridge: Adjustable rosewood
Tailpiece: Gibson trapeze style
Pickguard: Exact reproduction of the original style
Nut: New bone nut & re-fret med jumbo style
Restoration: Fully restored by Laurent Brondel in Maine
Structural Condition: No known structural issues
Case: Hardshell case

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M
Mike Cicchetti

I had a great experience at South SHore Guitar Boutique, I came in wanting to check out the Sondelli guitars and walked away with the J-Kiri. Staff was super helpful and knowledgeable about their inventory, which is huge for me. They answered every question I had and set me up with an amp that was closest to what I use at home, which altogether sold me on making my purchase there. And their collection of gear is extremely impressive. Everything from giving my new guitar a quick setup before I left to offering me coffee when I arrived was indicative of exceedingly great customer care. Definitely worth cutting time out of my day to pay them a visit.